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The perpetrators involved in the November attacks in Paris were based in Molenbeek , and Brussels was locked down for five days to allow the police to search for suspects with the military standing guard.

At least one other suspect remains at large. There were three coordinated attacks: two nail bombings at Brussels Airport , and one bombing at Maalbeek metro station.

Two suicide bombers, carrying explosives in large suitcases, attacked a departure hall at Brussels Airport in Zaventem.

The first explosion occurred at in check-in row 11; the second explosion occurred about nine seconds later in check-in row 2.

The suicide bombers were visible in CCTV footage. However, authorities have stated afterwards that no shots were fired. A third suicide bomber was prevented from detonating his own bomb by the force of a previous explosion.

The explosion occurred at CET. The train was travelling on line 5 towards the city centre, and was pulling out of Maalbeek station when the bomb exploded.

In the bombings, 35 people, including three suicide bombers, were killed and over others were injured, 62 critically.

Including the attackers, seventeen bodies were recovered at Brussels Airport and fourteen at the metro station. Fourteen of the deceased were Belgian nationals, four were Americans, three from the Netherlands, two from Sweden and the remaining nine hailed from a different nation.

A total of five attackers were involved, with three of them dying in suicide bombings and the remaining two arrested in the weeks after. All had involvement in the planning and organization of the November Paris attacks.

They were identified and named as:. In security camera video of Brussels Airport, Ibrahim El Bakraoui, Laachraoui, and Abrini were seen pushing suitcases believed to have contained the bombs that exploded in the departure hall.

Within 90 minutes of the airport attack, the area around an apartment in Schaerbeek , a northern district of Brussels, was cordoned off by police.

The authorities received a tip-off from a taxi driver once they released photos of the suspects several hours after the attacks.

Authorities also found a laptop belonging to Ibrahim El Bakraoui, inside a waste container near the house.

Numerous related arrests followed the bombings. As of 26 March, twelve men had been arrested in connection with the bombings.

A year-old male suspect was arrested. Raids and searches were made across Belgium, while security was heightened in a number of countries as a result of the attacks.

Authorities temporarily halted air traffic to the airport and evacuated the terminal buildings. Controlled explosions were carried out on suspicious objects around Maalbeek station.

All public transport in the capital was shut down as a result of the attacks. All trains from Paris to Brussels were also cancelled.

Taxis in Brussels transported passengers free-of-charge for the duration of the lockdown. The National Security Council raised the terror alert level in the country to the highest level following the attacks.

Temporary border checks were implemented by Belgian and French authorities at some major crossings on the France-Belgium border.

The federal government announced three days of national mourning, [] lasting from Tuesday until Thursday, and flags were flown at half-mast on public buildings.

Also on 23 March, Belgian Muslim groups, such as the League of Imams in Belgium and Executive of the Muslims in Belgium, publicly condemned the bombings and expressed their condolences to the victims and their families.

The airport was closed on 22 March, with reopening postponed several times. On 29 March, an operational test was performed. The official reopening date was scheduled to be announced on 30 March.

The delay in the reopening was attributed to extensive damage to the building's infrastructure. A temporary terminal was planned for use after the reopening.

On 29 March, it was revealed that Ibrahim and Khalid El Bakraoui were released from prison due to a law introduced in known as Lejeune , which allows inmates to be released after serving a third of their sentence.

Belgian Interior Minister Jan Jambon stated that the governing parties had agreed to update the law in The Lejeune law first came under scrutiny after serial killer and child molester Marc Dutroux was released from prison in Airport businesses were affected.

Following memorials to the victims, disturbances broke out, resulting in riot police using water cannons to disperse violent right-wing protesters against ISIL.

On 30 March, plans to reopen the airport were cancelled again due to a strike by airport police over a dispute over inadequate security.

On that day, a Brussels Airlines flight left for Faro and a flight to Athens and Turin was scheduled for the same day. Upon reopening, only passengers were allowed to enter a temporary departure hall and security checkpoints were implemented at the roadway to the airport.

Only car and taxi traffic were allowed to enter but public transit remained suspended. On 1 April, religious leaders in Brussels gathered together for a memorial to the victims of the bombings.

They expressed their desire to spread a religious message of unity throughout Belgium, and to combat extremism.

On 25 April, the Maalbeek metro station reopened with heightened security. The mayor of Molenbeek district, Francoise Schepmans, responded by closing some mosques for "incendiary language" [] It was also determined that of 1, nonprofit organisations registered in the district, had links to criminal activities, 51 of which to religious radicalism or terrorism.

Soon after news of the attacks broke, security was increased, particularly at airports, railway stations and other transport hubs, in China, [] Denmark, [] [] France, [] Germany, [97] Greece, [] Indonesia, [] Ireland, [] Italy, [] Japan, [] Malaysia, [] Malta, [] the Netherlands, [] [] [] the Philippines, [] Thailand, [] the United Kingdom, [91] [] and the United States.

Embassy in Brussels warned of the possibility of more attacks, recommending " sheltering in place and avoiding all public transportation". Exactly a year after these terrorist attacks, the Westminster attack occurred.

It was a terror incident in London where five people were killed, including a police officer and the attacker, and dozens were injured.

In a televised address to the nation on 22 March, King Philippe expressed his and Queen Mathilde 's sorrow at the events.

He offered their full support to members of the emergency and security services. Hours after the attack the French-language hashtag JeSuisBruxelles IamBrussels and images of the Belgian comic character Tintin crying trended on social media sites.

Also, hashtags such as ikwilhelpen Iwanttohelp and PorteOuverte Opendoor were used by Brussels residents who wanted to offer shelter and assistance for people who might need help.

Governments, media outlets, and social media users received criticism in some media and academic analysis for their disproportionate emphasis placed on the attacks in Brussels over similar attacks in other countries, particularly in Turkey, which occurred days before.

Similarly, reactions to the November Paris attacks were viewed as disproportionate in comparison to those of earlier bombings in Beirut.

On 12 April the Belgian Federal Parliament voted to establish a parliamentary commission to investigate the circumstances of the attacks and what had gone wrong so they could not have been prevented.

The Commission also pointed to the structural under-funding of the security services, noting how a lack of resources and manpower left the police and intelligence services unable to process all the information about the great number of Belgian foreign fighters.

In the aftermath of the attacks, the population of Brussels reacted by creating spontaneous memorials as a societal reaction to what was perceived as a collective tragedy.

In the hours following the attack, people started gathering at the city center near the former stock exchange Place de la Bourse.

Mourners wrote chalk messages on the pavement and buildings surrounding the square. Numerous messages and mementos, usually every-day objects such as mugs or hats, were left at the Bourse memorial.

According to Ana Milosevic, a researcher at KU Leuven , societal tensions and the pressure for the answers about the causes and consequences of the attacks, were salient in the first days and weeks after the event.

During the two months of the existence, the Bourse memorial was used as a site of contestation and negotiation of the meanings associated with the terrorist attacks.

The Archives of City of Brussels were tasked by the mayor Yvan Mayeur and the city council to collect and document the societal reactions to the attacks.

Over two months, the team of the archives documented the process of memorialization, also collecting some of the memorabilia left by the mourners.

The first memorialization initiative included the creation of a semi-permanent temporary monument by the Moroccan community of Molenbeek — the part of the city from which several perpetrators of the Paris and Brussels attacks originated.

Called "The Flame of Hope", the monument was placed at the main square of the municipality, however it did not attract significant societal or media attention.

Following a public competition, [] a monument to the victims was unveiled on the first anniversary of the attacks on the pedestrianised section of rue de la Loi , between Schuman and the parc du Cinquantenaire.

The monument, by Jean-Henri Compere, is called "Wounded But Still Standing in Front of the Inconceivable" and is constructed from two metre 66 foot long horizontal surfaces rising skywards.

A smaller memorial a black plaque and a tree was also raised by the municipality of Etterbeek in the Jardin Felix Hap.

The "flame of hope" is a sculpture created by the Moroccan artist Mustapha Zoufri in honour of the victims of the Paris and Brussels attacks.

Memoriel 22 mars , rue de la Loi , Bruxelles. Memoriel des attentats du 22 mars , Etterbeek Jardin Felix Hap. From Wikipedia, the free encyclopedia.

This article is about the terrorist attack. For the terrorist attack, see Brussels bombing. Attacks of 22 March Map of the bombings in relation to each other 1 Departure hall of Brussels Airport 2 Maalbeek metro station.

Timeline of attacks. Main article: Reactions to the Brussels bombings. Belgium portal. The Huffington Post.

Retrieved 29 March The Telegraph. Retrieved 28 March The Guardian. Retrieved 26 March The Independent. Retrieved 22 March Fox News.

Retrieved 24 March Brussels is not Delphi". Journal of Strategic Studies. Los Angeles Times. Aviation Week.

Retrieved 23 March Retrieved 26 July The Wall Street Journal. Terrorism and Political Violence : 1— International Journal of Intelligence and Counterintelligence.

International Journal of Intelligence and CounterIntelligence 32 , p. The Globe and the Mail. Archived from the original on 27 May Retrieved 26 May BBC News.

Retrieved 1 June But the movie made me think for a very long time, which in my opinion is what a good film should do.

There are so many aspects to this film that if you give them a chance and think about them, they will keep you reeling for hours on possible interpretations.

The first and probably most important aspect of this film dealt with love. From what I have seen of his films, love is Antonioni's favorite subject.

But this love was different than that of past films; it is much more shallow and un-centered. Thomas, the photographer, is surrounded by women, he goes from one to the next without thinking twice, treating them like dogs the entire time.

But he can do this and get away with it because he is a famous photographer and can make the women what they all desperately want to be, Beautiful.

For The first half of the movie I honestly did not like his character whatsoever. Whereas in the past the director has chosen mainly to explore the ups and downs of married life, or the problems of being hopelessly devoted to one person, he now points the camera at the single, care free, over sexed, youth of the sixties.

Half an hour into the movie I found myself wondering what the heart of the film was going to be. We were introduced to Thomas and his world, but there seemed to be no conflict driving the story forward.

Then came the quasi-murder mystery. This is what is really interesting and unique about this film in my opinion.

Antonioni for a while leads us to believe that the movie is going to turn into some suspense thriller, or murder mystery, but never seems to quite get there.

He has all the elements ready to go, but never follows through with them. He introduces this alluring and mysterious woman who is in on the murder and then never brings her back.

The murder victim is discovered, but his identity is never revealed, nor a motive given for his murder. Thomas, after a very energetic and exciting photo investigation seems to not really care too much as to what happens with the investigations results, only telling a couple of his friends who couldn't care less.

Antonioni seems to have used this whole murder mystery convention as some sort of glue to hold the rest of the real story together.

The story of a mindless, beauty obsessed, celebrity idolizing, drug addicted, and violence obsessed culture. Probably my favorite scene in the film is after fighting over the piece of broken guitar with the other fans; Thomas just discards his prize as garbage.

Something that kept bugging me was the antique shop. I kept wondering what in the world it had to do with anything in the movie; it stuck out like a sore thumb.

But I knew it that there was some major purpose or explanation for its existence in the film, and then it just kind of clicked.

Upon his first entry into the Antique store Thomas encounters an angry old man who we eventually find out is not the stores real owner, the true owner is a beautiful young woman who is planning to sell the old place and travel the world in search of something new.

All this stuff she owns, the gold of past cultures, is old and useless now. She has a hard time making a living because nobody wants the stuff any longer.

Here is where I think Antonioni's major message is hidden: That is the way life is, it moves on constantly, things change, people die, cultures evolve and the only thing that remains in the end is nature itself.

Antonioni finishes the film beautifully, Thomas stands alone in a large field of grass, the only thing heard is the wind and the trees, as the camera backs away slowly, he disappears leaving nothing but the grass blowing in the wind, for like all the antiques and all the people that created them in the past, eventually Thomas's life will end and so will the current popular culture in which he takes part.

Change is life's only constant. Sign In. Keep track of everything you watch; tell your friends. Full Cast and Crew. Release Dates.

Official Sites. Company Credits. Technical Specs. Plot Summary. Plot Keywords. Parents Guide. External Sites. User Reviews.

User Ratings. External Reviews. Metacritic Reviews. Photo Gallery. Trailers and Videos. Crazy Credits. Alternate Versions.

Rate This. A mod London photographer finds something very suspicious in the shots he has taken of a mysterious beauty in a desolate park.

Director: Michelangelo Antonioni. Added to Watchlist. From metacritic. Comic-Con Home Top Moments. Major Comic-Con Home News. Cannes Film Festival: Features Lineup.

Best movies of Share this Rating Title: Blow-Up 7. Use the HTML below. You must be a registered user to use the IMDb rating plugin.

Nominated for 2 Oscars. Edit Cast Complete credited cast: Vanessa Redgrave Jane Sarah Miles Patricia David Hemmings Thomas John Castle

He has all the elements ready to go, but never follows through Гјberweisungen ZurГјckziehen them. All other tracks on the DVD including the English one with the audio commentary keep the original music. Added to Watchlist. Archived from the original on 27 May Protection avant. Attacks of 22 March Richtlinien Richtlinien für Haustiere Paysafecard Code Richtlinien für Г¤gypten Ra sind nicht-verheiratete Personen gestattet? Wir nutzen diese Information, um unsere Webseite und Services zu verbessern. Keine Altersbeschränkung Es gibt keine Altersbeschränkung. Autovermietung Flugsuche Restaurantreservierungen Booking. Bitte versuchen Sie es erneut.

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The fact that he may have photographed a murder does not occur to him until he studies and then blows up his negatives, uncovering details, blowing up smaller and smaller elements, and finally putting the puzzle together.

Written by Anonymous. Antonioni was not a director that worried too much about people completely understanding his films.

In fact I'd bet that he actually hoped they didn't understand everything. So I did not find it strange or surprising when after finishing the movie I felt quite confused.

But the movie made me think for a very long time, which in my opinion is what a good film should do. There are so many aspects to this film that if you give them a chance and think about them, they will keep you reeling for hours on possible interpretations.

The first and probably most important aspect of this film dealt with love. From what I have seen of his films, love is Antonioni's favorite subject.

But this love was different than that of past films; it is much more shallow and un-centered. Thomas, the photographer, is surrounded by women, he goes from one to the next without thinking twice, treating them like dogs the entire time.

But he can do this and get away with it because he is a famous photographer and can make the women what they all desperately want to be, Beautiful.

For The first half of the movie I honestly did not like his character whatsoever. Whereas in the past the director has chosen mainly to explore the ups and downs of married life, or the problems of being hopelessly devoted to one person, he now points the camera at the single, care free, over sexed, youth of the sixties.

Half an hour into the movie I found myself wondering what the heart of the film was going to be. We were introduced to Thomas and his world, but there seemed to be no conflict driving the story forward.

Then came the quasi-murder mystery. This is what is really interesting and unique about this film in my opinion.

Antonioni for a while leads us to believe that the movie is going to turn into some suspense thriller, or murder mystery, but never seems to quite get there.

He has all the elements ready to go, but never follows through with them. He introduces this alluring and mysterious woman who is in on the murder and then never brings her back.

The murder victim is discovered, but his identity is never revealed, nor a motive given for his murder. Thomas, after a very energetic and exciting photo investigation seems to not really care too much as to what happens with the investigations results, only telling a couple of his friends who couldn't care less.

Antonioni seems to have used this whole murder mystery convention as some sort of glue to hold the rest of the real story together. The story of a mindless, beauty obsessed, celebrity idolizing, drug addicted, and violence obsessed culture.

Probably my favorite scene in the film is after fighting over the piece of broken guitar with the other fans; Thomas just discards his prize as garbage.

Something that kept bugging me was the antique shop. I kept wondering what in the world it had to do with anything in the movie; it stuck out like a sore thumb.

But I knew it that there was some major purpose or explanation for its existence in the film, and then it just kind of clicked. Upon his first entry into the Antique store Thomas encounters an angry old man who we eventually find out is not the stores real owner, the true owner is a beautiful young woman who is planning to sell the old place and travel the world in search of something new.

All this stuff she owns, the gold of past cultures, is old and useless now. She has a hard time making a living because nobody wants the stuff any longer.

Here is where I think Antonioni's major message is hidden: That is the way life is, it moves on constantly, things change, people die, cultures evolve and the only thing that remains in the end is nature itself.

Antonioni finishes the film beautifully, Thomas stands alone in a large field of grass, the only thing heard is the wind and the trees, as the camera backs away slowly, he disappears leaving nothing but the grass blowing in the wind, for like all the antiques and all the people that created them in the past, eventually Thomas's life will end and so will the current popular culture in which he takes part.

Change is life's only constant. Sign In. Keep track of everything you watch; tell your friends. Full Cast and Crew.

Release Dates. Official Sites. Company Credits. Technical Specs. Plot Summary. Plot Keywords. Parents Guide.

External Sites. User Reviews. User Ratings. External Reviews. Metacritic Reviews. Photo Gallery. Trailers and Videos. Crazy Credits.

Alternate Versions. Rate This. A mod London photographer finds something very suspicious in the shots he has taken of a mysterious beauty in a desolate park.

Director: Michelangelo Antonioni. Added to Watchlist. From metacritic. Comic-Con Home Top Moments. Major Comic-Con Home News. Cannes Film Festival: Features Lineup.

Best movies of Share this Rating Title: Blow-Up 7. Use the HTML below. You must be a registered user to use the IMDb rating plugin.

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